After weeks of bustling around Vietnam—a few days in Ha Long Bay and Bai Tu Long Bay and a brief excursion up to the beautiful Sa Pa—I came back to the welcoming, coffee-loving arms of Hanoi, which quickly became my new favorite place.
I didn’t expect to fall in love with Hanoi, but I did.
Hordes of motorbikes sped by as my taxi wove through the tight streets of Hanoi, Vietnam. Signs and billboards flashed at me. Vietnamese words were scrawled across them—but at least this time, I thought, the alphabet was Romanized.
I’d been on the road for about six months, had traveled to Japan, South Korea, India, Nepal, and Myanmar. Donald Trump had just won the U.S. presidency, and I’d slept off my post-election depression and fatigue in Yangon, Myanmar, like a champ.
Here I was, another new country, another new city, another new language—starting over yet again, unsure of myself and harboring lingering doubts about having sold all my things to take this yearlong journey through Asia and maybe beyond.
The hair clippers felt heavy in my hand as a humid December breeze blew in from the newly harvested rice paddies of Ninh Binh province. Palm branches danced over my head, throwing shadows on the 30-something Swiss woman who sat in front of me. I looked down at the back of her head, then at the clippers in my hand. Sweat gathered at my temples and in my palms.
In the seven months I’d traveled through Asia, I hadn’t found many short-haired women—and none like Caroline, who buzzed her hair as short as her partner Mario’s. And a small homestay in Ninh Giang, a sleepy Vietnamese town about two hours south of Hanoi, was the last place I expected to find three women with short hair like me—Caroline and the two owners.
As a writer and introvert, one of my greatest quests over this year of travel is to find quiet places to get away to where I can write, read, and be—without breaking the bank. Here are five places I found during my time in Asia that gave me the space I needed to write, seek silence, and find inspiration.
I stayed at Jirye Art Village outside of Andong, South Korea, for over a week last summer, and it was just the quiet getaway I needed after weeks in the bustling metropolis of Seoul.
The Jirye Art Village is comprised of a series of historical buildings that were rescued from demolition by Korean poet Kim Won-gil. The buildings, built circa 1660, belonged to his family, and in 1990, when they were threatened by a dam being built nearby, Kim managed to get permission to move 10 buildings 200 meters up the mountains to their current position.